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September 2018

Lecture Series: Verónica Romero Gómez

September 7 @ 4:00 pm - 5:00 pm
S.K102, Kleine Kauwenberg 14
Antwerpen, 2000 Belgium
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Human-Computer Interaction for Image Processing in DH.

This talk will discuss the topic of human-computer interaction in Digital Humanities, with a focus on image processing, using CATTI (Computer Assisted Transcriptions of Texts Images) as a case study.

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Lecture Series: Dries Moreels

September 3 @ 4:00 pm - 5:00 pm
S.K102, Kleine Kauwenberg 14
Antwerpen, 2000 Belgium
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Exploring IIIF for Digital Humanities

In this lecture, the basics of IIIF – International Image Interoperability Framework – are presented through the lens of its key benefits for research in Digital Humanities. As an open data API, IIIF allows for clear and well documented research data management practices, for projects ranging from teaching over scholarly annotation or editing up to data mining.

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Antwerp DH Summer School 2018: Processing and Analysing Images

September 3 - September 7
TBA

This summer school offers an in-depth and hands-on curriculum to familiarise novice (digital) humanists with the state-of-the-art technologies that are nowadays available to researchers who take an active interest in ‘pixel-based’ artifacts in the Humanities. Topics for the summer school will include technologies such as XML, IIIF and Handwritten Text Recognition.

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June 2018

Lecture Series: Hans Walter Gabler

June 11 @ 4:00 pm - 5:30 pm
Hof van Liere, Prinsstraat 13
Antwerpen, 2000 Belgium
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“James Joyce's Ulysses into the Digital Age: Forty Years of Steering an Edition through Turbulences of Scholarship and Reception”

Work over seven years with a team of dedicated collaborators produced the three-volume Critical and Synoptic Edition published in 1984. It was received with enthusiasm, yet soon also severely attacked. Meanwhile, its reading text has become the standard Ulysses reference text. Its display of the growth of the text, by contrast, is still to be searched in-depth for its critical potential. The medium to explore that potential is the digital medium. Today’s updating of our digital archive of the 1984 edition is enabling a generation renewal of the Critical and Synoptic Edition of 1984 in book form into a dynamic online Digital Critical and Synoptic Edition in-the-making for James Joyce’s Ulysses.

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May 2018

Lecture Series: Christof Schöch

May 24 @ 11:15 am - 12:15 pm
Hof van Liere, Prinsstraat 13
Antwerpen, 2000 Belgium
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Towards a Resarch Agenda for Data-driven Approches to Literary Periods

This lecture will first scrutinize recent work in data-driven, quantitative approaches to periodization in literary history for answers to the above-mentioned questions, to then build on this assessment and describe some of the key practical as well as methodological challenges the field is currently facing. Ultimately, what will emerge from this double perspective is a research agenda for data-driven, quantitative approaches to literary periodization, a field of study in which most of the work remains to be done.

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April 2018

Lecture Series: Roxanne Wyns

April 23 @ 4:00 pm - 5:00 pm
S.R.231, Rodestraat 14 (via ingang Lange Winkelstraat)
Antwerpen, Antwerpen 2000 Belgium
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International Image Interoperability Framework (IIIF). Sharing high resolution images across institutional boundaries

This lecture introduces IIIF and its concepts, highlight projects and viewers, and give an in-depth view of its current and future application options for DH research.

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March 2018

Lecture Series: Gerrit Brüning

March 26 @ 4:00 pm - 5:00 pm
S.R.231, Rodestraat 14 (via ingang Lange Winkelstraat)
Antwerpen, Antwerpen 2000 Belgium
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Genetic Editing and Textual History. The Case of Goethe's Faust.

In his lecture, Gerrit Brüning introduces the key concepts and features of the Faust edition, which is published in an advanced beta stage (beta.faustedition.net), and nearing completion. The genesis of Goethe’s Faust tragedy spans a period of about 60 years. Individual stages of its conceptual and textual history have survived in hundreds of manuscripts with more than 2000 written pages. The Faust edition gives access to this material, enabling the user to find all witnesses for every single passage of the work and to explore images and transcriptions in an intuitive way.

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Lecture Series: Thorsten Ries

March 19 @ 4:00 pm - 5:00 pm
S.R.231, Rodestraat 14 (via ingang Lange Winkelstraat)
Antwerpen, Antwerpen 2000 Belgium
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Digital Forensics in the Humanities: Beyond Philology

This lecture endeavors to shed light on the impact of digital forensics on the historical humanities, discussing sample cases and arguments about born-digital historical primary sources. It will make the case that digital forensic literacy and historical computing knowledge will have to be key components in historical humanities education and political discourse.

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Workshop: Automatic Text Reuse Detection with TRACER

March 16 @ 1:00 pm - 4:00 pm
S.C.104, Prinsstraat 13
Antwerpen, 2000 Belgium
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Free

Automatic text reuse detection with TRACER

In this workshop, participants will run text reuse detection analyses on the seven English language Harry Potter novels by J. K. Rowling, a selection of Harry Potter fanfiction as well as the Harry Potter movie subtitles. The objective of the workshop is not only to practise text analysis with TRACER but also to introduce participants to current strategies and issues in this area of research.

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December 2017

Lecture Series: Sofia Ares Oliveira

December 4, 2017 @ 4:30 pm - 5:30 pm
S.R.218, Rodestraat 14 (via ingang Lange Winkelstraat)
Antwerpen, Antwerpen 2000 Belgium
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Machine Vision Algorithms on Cadaster Plans

Cadaster plans are cornerstones for reconstructing dense representations of the history of the city. However, as some of these handwritten documents are more than 200 years old, the establishment of processing pipeline for interpreting them remains extremely challenging. The talk will present the implementation of an automated process capable of segmenting and interpreting Napoleonic Cadaster Maps of the Veneto Region dating from the beginning of the 19th century. The system extracts the geometry of each of the drawn parcels, classifies, reads and interprets the handwritten labels. This efficient and automated process opens new perspectives to reconstitute the past.

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